Criticism is often presented as something unpleasant, but it need not be. It could be friendly criticism, amicably discussed, and some people find great pleasure in criticism ("keeping people sharp", "providing the critical edge").
Normally criticism involves a dialogue of some kind, direct or indirect, and in that sense criticism is an intrinsically social activity. Even if one is only criticizing a book or an idea in private, it is usually assumed there is someone who will be made aware of the criticism being expressed at some point, although who exactly will hear it, may also remain unknown. One is still engaging with the ideas of others, even if only indirectly. One can of course also keep a criticism to oneself, rather than express or communicate it, but in general the intention is, that someone else ought to be aware of it, however that may occur. Self-criticism, even if wholly private, still mentally takes the concerns of others into account.
Early English meaning
The early English meaning of criticism was primarily literary criticism, that of judging and interpreting literature. Samuel Johnson is often held as the prime example of criticism in the English language, and his contemporary Alexander Pope's Essay on Criticism is a significant landmark. In the course of the 17th century, it acquired the more general sense of censure, as well as the more specialized meaning of the "discernment of taste", i.e. the art of estimating the qualities and character of literary or artistic works, implicitly from the point of view of a consumer.To be critical meant, positively, to have good, informed judgement about matters of culture (to be cultivated, to be a man or woman of distinction), but negatively it could also refer to the (unreasonable) rejection or (unfair) treatment of some outside group ("to be critical of them"). Derivatively, "a criticism" also referred to a nice point or a distinction, a tiny detail, a pedantic nicety, a subtlety, or a quibble (the sense of what today is called a "minor criticism"). Often criticism was governed by very strict cultural rules of politeness, propriety and decency, and there could be immediate penalties if the wrong words were said or written down (in 17th century England, more than half of men and about three-quarters of women could not read or write).
In the 19th century, criticism also gained the philosophical meaning of "a critical examination of the faculty of knowledge", particularly in the sense used by Immanuel Kant. (See Oxford English Dictionary). Such criticism was carried out mainly by academic authorities, businessmen and men of property with the leisure to devote themselves to the pursuit of knowledge.
20th century
In the 20th century, all these meanings continued, but criticism acquired the more general connotation of voicing an objection, or of appraising the pros and cons of something.
- The shape and meanings of criticism were influenced considerably by wars (including two world wars) occurring almost continuously somewhere in the world.
- With the growth of specializations in the division of labour, and the growth of tertiary education, innumerable different branches of criticism emerged with their own rules and specialized technical meanings.
- Philosophers such as Karl Popper and Imre Lakatos have popularized the idea, that criticism is a normal part of scientific activity. Relatedly, "scientific criticism" has become a standard expression, just as much as "literary criticism".
- Gradually it was accepted that criticism is a normal process in a democratic society, rather than a sign of inadequacy, or something that should be strictly controlled or repressed.
21st century
- From the 1990s, the popular meanings of the word criticism have started to evolve more strongly toward "having an objection", "expressing dissent", "stating a dislike", "wanting to dissociate from something", or "rejecting something" ("If you liked it, you would not be criticizing it"). In the contemporary sense, criticism is often more the expression of an attitude, where the object of criticism may only be vaguely defined. For example, somebody "unlikes" something on Facebook or "unfriends" somebody.
- In general, there is less money in literary criticism, while it has become easier for anyone to publish anything at a very low cost on the Internet - without necessarily being vetted through critically by others.
- Professionally, "what it means to criticize" has become a much more specialized and technical matter, where "inside knowledge" is required to understand the criticism truly; this development is linked to the circumstance, that the right to criticize, or the propriety (appropriate use) of criticism, is regarded nowadays much more as depending on one's position, or on the context of the situation ("I would like to say something, but I am not in a position to criticize").
- Because many more people are able to travel to, or have contact with, worlds completely different from their own, new problems are created of how to relativize criticisms and their limitations, how to put everything into meaningful proportion. This affects what a criticism is understood to be, or to mean, and what its overall significance is thought to be.
- Digital information technology and telecommunications have begun to change drastically the ways people have for getting attention, or for being taken seriously. In turn, this has begun to change the ways people have for going about criticizing, and what criticism means for people.
- With more possibilities for sophisticated expression, criticism has tended to become more "layered". Beneath the observable surface presentation of criticism, which is freely advertised, there are often additional layers of deeper criticism. These are not directly accessible, because they require additional information, or insight into additional meanings. To gain access to the "whole story" about a criticism, and not just "part of the story", may be conditional on fulfilling certain entry requirements ("if you don't have the ticket, you don't get the knowledge").
- Together with the ability to make finer distinctions of meaning with the aid of digital equipment, the possibilities for ambiguity in criticism have increased: is a criticism being implied, or is it not, and if so, what exactly is the criticism? It can take more effort to unravel the full story.
Area of study
The psychology of criticism is primarily concerned with:Parents, teachers, lawyers, managers and politicians are often concerned with these issues, because it can make a great deal of difference to how problems are tackled and resolved.
- the motivation, purpose or intent which people have for making criticisms - healthy or unhealthy.
- the meaning of criticism for the self, and for others - positive or negative.
- the effect which criticism has on other people - good or bad.
- how people respond to criticisms, or cope with them - negatively or positively.
- the quantity and quality of criticism required to achieve the desired effect or outcome.
- the form in which criticisms are delivered - effective or ineffective.
- how people learn to give and receive criticism successfully.
- the sublimation, repression or denial of criticism.
The motivation as well as the effect of criticism may be rational, or it may be non-rational or arbitrary; it may be healthy or unhealthy.
When psychologists study criticism as a type of human behavior, they do not usually study it "in general" - such a general study is often considered to be more a philosophical concern. Psychologists usually study it in specific contexts and situations. The reason is partly technical (it is difficult to construct and prove universal generalizations about criticism as a human behavior) and partly practical (it is more useful to understand particular behaviors which are of direct practical concern).
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